We are supporting local businesses, schools, and organizations in Arlington, Virginia, and the Puget Sound region during the COVID-19 pandemic. The construction of our new Center of Excellence, and the ongoing operation of it, will create thousands more jobs in building services, hospitality, and retail, and generate hundreds of millions of dollars in investment in the surrounding communities on top of Amazon’s $230 million direct investment. The Center will be located downtown at the future site of Nashville Yards. The new Operations Center of Excellence will serve as the Southeastern U.S. This is the single largest jobs commitment made by a company in Tennessee’s history, and we look forward to working with the community. These new jobs will include a mix of technical and non-technical roles for candidates at all skill and education levels. We’re excited to work with Middle Tennesseans to bring our new Operations Center of Excellence to downtown Nashville and create 5,000 jobs in the city. Over the next decade, Tennessee, Davidson County, and the city of Nashville will benefit from $1 billion in new tax revenue as a result of Amazon’s investment and job creation. In 2017, we opened our first office in Bellevue and we plan to continue to grow in this city to diversify our presence and positive impact in the region-creating over 15,000 new jobs in the next few years. Since then, we have created more than 50,000 direct jobs and invested over $4.5 billion in Seattle alone-and we estimate that these investments have contributed to the creation of an additional 244,000 jobs on top of our direct hires. In 2010, we moved to our first building in Seattle’s South Lake Union, making the conscious decision to build an urban campus in the city’s downtown and helping to transform an entire neighborhood. We currently employ more than 75,000 people across our facilities in the area-including our corporate offices in Seattle and Bellevue, fulfillment centers in Kent, Sumner, and Dupont, our air hub at SeaTac airport, Project Kuiper’s R&D facility in Redmond, and more than 15 Amazon and Whole Foods physical stores. Amazon is proud to be a significant investor and job creator for people of all backgrounds and skill levels in the Puget Sound region.
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He was greeted on the tarmac by his 15-year-old daughter (center) and the rest of his family. Stirm had been held as a prisoner of war by the North Vietnamese for more than five years. Stirm at Travis Air Force Base in California. Slava “Sal” Veder was working for the Associated Press when he covered the return of Lieutenant Colonel Robert L. Not only did the photo capture the intensity of the moment but of the entire situation as well. Although as many as 200 people were injured while resisting the Israeli security forces during the clearing of the settlement, this one woman became the defining symbol of opposition against the government in Israel. He quickly took the photograph of the woman’s resistance against the forces advancing on her position. For this shot, Balilty was on the scene in the settlement of Amona, east of Ramallah, when he noticed a single woman standing up to a flood of security forces by herself. The picture was taken on February 1, 2006, and Balilty was later chosen as the 2007 Pulitzer Prize winner in Breaking News Photography for snapping the image.Īs of this writing, Balilty is the only Israeli photographer to be honored with the award, although he has been nominated twice in this category. Oded Balilty was working for the Associated Press when he was told to photograph a group of Jewish settlers protesting against Israeli security forces in the West Bank. Kelly had already accepted a new position as the social media manager for a local brewery but opted to remain in the office to help out in case the Unite The Right rally got out of hand. The picture became emblematic of the demonstrations taking place across the country and the racial tensions spreading throughout. But as soon as a car began to barrel down the road, the journalist in him kicked in and he captured the moment that led to Heyer’s death. Īfter heading outside, Kelly began taking long-shot photographs of the march. It also won Kelly the Pulitzer Prize for Breaking News Photography in 2018 for his untitled photograph showing the moment when Heyer and around 35 others were struck. That attack led to the death of Heather Heyer. Lee.ĭuring the demonstration, a man who had ties to a white supremacist movement drove his car into a group of counterprotesters. On that day, a protest was carried out in the city over plans to remove a statue of Confederate General Robert E. In 2017, Ryan Kelly was working his final day at The Daily Progress in Charlottesville, Virginia. The photograph was also recognized as the World Press Photo of the Year. Firefighter Bob O’Neil was in the process of reaching Bryant and Jones when the fire escape suddenly gave way beneath them.įorman continued to shoot the images as the fall took place but realized that he “didn’t want to see them hit the ground.” So he turned away at the last moment. When Forman arrived on the scene, he put himself in a position where he could capture what appeared to be the start of a daring rescue. Miraculously, Jones was saved when she landed on Bryant’s body. The two victims were 19-year-old Diana Bryant and her goddaughter, two-year-old Tiare Jones.īryant died as a result of the collapse, which occurred when a turntable ladder on a fire engine was being extended to save them at a height of approximately 15 meters (50 ft). Forman captured the moment when a woman and a child fell from a collapsed fire escape in Boston on July 22, 1975. The 1976 Pulitzer Prize for Spot News Photography went to Stanley Forman for his picture titled Fire Escape Collapse. In 2006, Razmi finally revealed that he was the photographer in an interview with The Wall Street Journal. Razmi’s name was protected by the publisher to ensure the photographer’s safety from government reprisal. His picture captured a moment when some in the firing squad had fired and some hadn’t. Razmi followed the condemned men outside where they were quickly put in place for execution. Their execution was carried out immediately afterward. Eleven prisoners were charged with firearm trafficking, inciting riots, and murder in a 30-minute trial. The picture captures the moment when a group of Kurdish militants were executed at the Sanandaj airport. Razmi was the only photographer to receive a Pulitzer Prize anonymously, but he had good reason to keep his name out of the papers alongside his intense photograph. The picture was taken on August 27, 1979, but it was published anonymously in the Iranian daily newspaper Ettela’at. Jahangir Razmi’s provocative photograph, Firing Squad in Iran, won the Pulitzer Prize in 1980, but Razmi didn’t receive the credit he deserved until 2006.
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I think AC3 is also technically FL+FR+FC+LFE+ SL+SR. The actual encoding order is FC+FL+FR+SL+SR+LFE. In other words, it's up to the decoder or/and the end-user to decide whether the 'surround channels' in a 5.1 audio stream will be directed to the rear speakers (old-school preference) or to the lateral speakers (new convention).Īccording to someone here, there's only one 5.1ch format for DTS, and that's FL+FR+FC+LFE+ SL+SR. The same thing happens with the formats MLP, AC3 and lossy DTS. The official DTS-HD encoder has only one option for the 5.1 channel layout, and that option does not use Side-Left and Side-Right. #CHANNELMAP FFMPEG EXAMPLES WINDOWS#Or a Windows Media Audio stream inside an ASF container,Ĭan be properly-flagged as anything different than "FL+FR+FC+LFE +SL+SR".įor example, in DTS-HD (and in TrueHD too, I presume), only the 7.1 channel layout may have the «side» channels. It is always assumed to be FL+FR+FC+LFE +SL+SR.ĪFAIK, only uncompressed 5.1 audio inside a WAV /AVI /ASF container, Namely, unless the 5.1 audio stream is inside an uncompressed. MediaInfo and/or FFmpeg and/or whatever appear to be just following a convention invented in the "post-5.1 era" Hexadecagonal FL+FR+FC+BL+BR+BC+SL+SR+TFL+TFC+TFR+TBL+TBC+TBR+WL +WR And BTW, if you don't mind a lossless audio format, ¿why not use ALAC? Its 5.1 layout is always interpreted /decoded as FL, FR, FC, LFE, SL and SR, and besides, ALAC is supported by all of those 3 containers - MOV, MP4, and MKV.ħ.1(wide-side) FL+FR+FC+LFE+FLC+FRC+SL+SR So,ġ+2+4+8+512+1024=1551 (= 0x060F, in hexadecimal notation).Ģ) sox is an audio-only application, so in theory at least, it should be more stable and less buggy than ffmpeg.ġ) all of those tools have no problem in dealing with WAV files greater than 4GB. Is it related to using wavefix or wavi? 3) Yep, wavfix, wavi and wavavimux use the channel mask values as defined by the Wave_Format_Extensible specification. Would it offer a benefit over ffmpeg?Įl Heggunte, I'm sorry to admit I have no idea what to do with that decimal value chart. #CHANNELMAP FFMPEG EXAMPLES MP4#mp4 container ultimately I'll be muxing this with an. Total length of the 5.1 track is over 2 hours, and at 24 bit, the size is too much for a wav container (over 6GB, exceeding the 4GB limit). Unfortunately I can't use a wav container for the 5.1 due to file size. Is FFmpeg doing some strange behind the scenes channel layout? Or is this a playback issue related to reading the files and their metadata or headers?Ĭan one specify channel layout in FFmpeg, beyond what I've already did unsuccessfully with the mono files (see below)? Using FFmpeg to make a 5.1 file from 6 mono wavs with the channel layout mapped for SMPTE "L R C LFE Ls Rs", aka 5.1(side), I get a file that FFmpeg tells me is "5.1" - NOT "5.1(side)" - and it also has the "center channel playing through the left speaker" problem. It sounds like, at the very least, the center is playing through the left channel speaker. mov file that FFmpeg tells me is "5.1(side)" and it does not play fine. dts file to FLAC via FFmpeg, I get a 5.1 FLAC file that FFmpeg tells me is "5.1(side)", and it plays fine. MPC-HC plays everything correctly, but because the other two have playback issues, I presume there's something incorrect with the files.įFmpeg tells me that the channel layout of the original DTS-HD file is "5.1(side)" (which is, as I understand it, SMPTE "L R C LFE Ls Rs"). VLC and Quicktime seem to reproduce most if not all of the same errors. I've been experiencing some playback problems with 5.1 files converted from a 5.1 DTS-HD source using FFmpeg (scrambled channel layout). Mediainfo's "Channel positions" (not the same as " channel layout" apparently) tells me "Front L C R, Side L R LFE" no matter what file I give it, and for files whose channel layout's are certainly different. What's the best way to determine a 5.1 file's channel layout?
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Viewer counts can keep growing as you live stream! This means as you start your live stream, the number of viewers can multiply dramatically as each viewer can share your show with others via their social networks. You can use Blackmagic Web Presenter as the source input for your Twitter video stream then tweet out the link to your audience and let them start watching.įacebook makes it easy to share live streams with friends and professional networks. Twitter supports live streaming so you can create live content that you can broadcast across the globe. Simply create your channel and Blackmagic Web Presenter will connect and live stream to YouTube’s servers. #BLACKMAGIC WEB PRESENTER FULL#YouTube is the most dominant live streaming platform globally and you can connect multiple web presenter to both the primary and secondary YouTube servers, allowing for full redundancy. #BLACKMAGIC WEB PRESENTER UPDATE#If you’re technically minded, you can even manually update the XML settings file to change specific settings or to add new streaming platforms. The utility works on Mac and Windows and connects directly via USB or remotely via Ethernet. You only need to connect it to the internet! Setup is easy, as the Web Presenter Utility software lets you select the streaming platform and update the streaming key. That means you get a self contained solution for live streaming that works without dropped frames. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. For redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data! Web Presenter also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data!īlackmagic Web Presenter supports the most popularstreaming platforms. Now you can live stream to the world! Blackmagic Web Presenter is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more! It’s just like a modern broadcast television transmitter for a new global streaming audience! Plus the built in USB connections work like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. Live stream from any 12G‑SDI video source direct to YouTube, Facebook, Twitter and more! #Fonepaw ios transfer v2 0 0 passwordLatest Winrar and extract password protected files without error. #Fonepaw ios transfer v2 0 0 archiveTO WIN USERS: If RAR password doesn't work, use this archive program: RAR Expander 0.8.5 Beta 4 and extract password protected files without error. TO MAC USERS: If RAR password doesn't work, use this archive program: RAM: 256 MB or more of RAM (1024MB Recommended) Hard Disk Space: 200 MB and above free space With the help of it, Photo Library, Music. By using FonePaw iOS Transfer, you can: Move data from iPhone/iPad/iPod to PC/iTunes or vice versa. Removing Screen Time passcode would NOT erase any of your data. FonePaw iOS Transfer is a trustworthy and powerful transfer program which allows you to manage and transfer data among iPhone/iPad/iPod touch, iTunes and PC without iTunes. You need to turn off Find My iPhone/iPad before you try to remove Screen Time passcode with FonePaw iOS Unlocker.Ģ. FonePaw iOS Unlocker will be a good helper if you forget the Screen Time Password or want to remove the restrictions!ġ. Unlock Screen Time Passcode without Data LossĪpple introduced Screen Time in iOS 12, which is designed to make yourself aware of the amount of time you are spending on certain app categories and specific apps on your iPhone or iPad. It is very urgent for you to access your iPhone or iPad. You dropped your phone and the front screen shattered. Your friend or someone else played a prank and reset your screen passcode, but failed to mark it down so you couldn’t access your phone. You bought a used iPhone or iPad but you couldn’t bypass the locked screen. When you or someone else has entered the wrong passcode for many times, the “iPhone is disabled” message will pop up on your screen. But in some cases you may forget the iOS screen passcode. People would create passcode to protect privacy of iPhone or iPad. Wipe Screen Passcode and Get Access to Your Phone Your device will be updated to the latest iOS version. But you have lost the passcode and you will not be able to restart your phone.ģ. Because it will associate to the original Apple ID when the device is trying to restart and you need to enter the passcode of this Apple ID. You should never use Erase All Content and Settings function or restore iPhone via iTunes after you remove Apple ID. Remove Apple will erase all of the data on your device.Ģ. *You should make sure that your iPhone/iPad is in normal status and can be accessed before you use FonePaw iOS Unlocker to remove Apple Id.ġ.
The criterion for inclusion in this list. In general, DaVinci Resolve is made for professionals. You can see updated system requirements here. If you have a Mac, you must have a Mac 10.15 Catalina or later. You must have a Windows 10 (64 bit) anything earlier than that won’t work. Typically, DaVinci Resolve can work properly on Windows 10/8. Before rushing to download the latest version, it’s worth double-checking that your system match DaVinci Resolve 18’s requirements. If you have an older computer, you might not be able to run DaVinci Resolve at all. Integrated GPU or discrete GPU with at least 2GB of VRAM GPU which. Now, DaVinci Resolve not opening issue should have been resolved. #DAVINCI RESOLVE SYSTEM REQUIREMENTS WINDOWS 10 FULL#The GPU VMs are made for video editing and given the GPU requirements above, that is where I would start (although you can always check out the full list of VM types). The following is a list of video editing software. After that, restart your system and launch the fresh program. Richard Lackey: DaVinci Resolve Minimum System Requirements | A Reality Check News Shooter: Blackmagic Design DaVinci Resolve 17.1 Released #DAVINCI RESOLVE SYSTEM REQUIREMENTS WINDOWS 10 HOW TO#Hello short answer is probably a NCv3-series or NCasT4_v3-series as recommended on the Azure Marketplace page for DaVinci Resolve 17 Studio but there are a lot of good resources below if you want to do some customization or learn more about how to make the most of your setup.īlackmagic Design's DaVinci Resolve's system requirements are somewhat difficult to track down (the website and the 3,605 page reference manual doesn't seem to list them) but looking over a couple third party sources this is what I would target:įor more information, Puget Systems has done an excellent writeup and gets into why you might want different hardware configurations which is especially project dependent when you look at things like CPU: He explained, “It’s especially hard for these things in chaotic deep space orbits where you pick something up several years after it was last seen and try and backtrack it to match it with a known mission.” NASA successfully tests SLS rocket that will help Artemis astronauts reach the moon “I’d give at least 80% and maybe 90% odds.” Jonathan McDowell, an astronomer at The Center for Astrophysics | Harvard & Smithsonian, said identifying space junk is “never easy” in deep-space orbit, but he said Gray’s new identification was likely right. Need for official monitoring of space junk The rocket will likely disintegrate on impact and create a crater about 10 to 20 meters (32.8 feet to 65.6 feet) across. However, the impact will be on the far side of the moon and not visible from Earth. The rocket stage is expected to hit the moon at 7:26 a.m. Gray said he subsequently reviewed his data and has now landed on a different explanation: He said that the object was the third stage of the Chinese Long March 3C rocket used to launch its lunar orbiter in 2014. What happend to the moon on march 4th update#This update results from analysis of the object’s orbits in the 2016 – 2017 timeframe.” “It is not a SpaceX Falcon 9 second stage from a mission in 2015 as previously reported. “Analysis led by NASA’s Jet Propulsion Laboratory’s Center for Near-Earth Object Studies indicates the object expected to impact the far side of the Moon March 4 is likely the Chinese Chang’e 5-T1 booster launched in 2014,” according to a NASA statement released Monday. There’s always some separation, but this was suspiciously large,” Gray said. It would be a little strange if the second stage went right past the moon, while DSCOVR was in another part of the sky. “Jon pointed out that JPL’s Horizons system showed that the DSCOVR spacecraft’s trajectory did not go particularly close to the moon. Over the weekend, however, Gray said he had gotten the object’s origins wrong after communicating with Jon Giorgini of NASA’s Jet Propulsion Laboratory, which doesn’t track space junk but does keep careful track of a lot of active spacecraft, including DSCOVR. His assessment was widely accepted by other space experts and NASA, which said it was monitoring the rocket’s trajectory. The object had about the brightness we would expect, and had showed up at the expected time and moving in a reasonable orbit,” Gray said on his website. “I and others came to accept the identification with the second stage as correct. (Photo by Laurent EMMANUEL / AFP) (Photo credit should read LAURENT EMMANUEL/AFP via Getty Images) Laurent Emmanuel/AFP/Getty ImagesĪ rocket booster could crash into the moon in the next few weeks The Moon is steadily shrinking, causing wrinkling on its surface and quakes, according to an analysis of imagery captured by NASA's Lunar Reconnaissance Orbiter (LRO) published Monday May 13, 2019. TOPSHOT - A photo taken on shows a view of the moon in Cannes, southern France. |
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